Showing posts with label annie proulx. Show all posts
Showing posts with label annie proulx. Show all posts

Friday, May 9, 2014

Jenn's Short Story Recommendations

Hey all. This is going to be a change of pace for me since life is a bit crazed, so I'm not able to post a new story. Since Fiction Femme Fatale is shorts based figured I'd share some of my favorite short stories that have inspired me. (This list originally posted on my blog on Mar. 7, 2014.)
  • “Brokeback Mountain” by Annie Proulx – If you compare the story to the movie (or vice versa) you’ll feel like you’ve gotten a full glimpse of the life of Ennis Del Mar and Jack Twist. Proulx’s story is a bit long at 30 or more pages (typeset) but it spans a whole romance/lifetime. In as much as a paragraph Proulx manages to capture the physical details, emotions, the entirety of a meeting with Ennis and Jack so that you as reader feel as though you’ve watched a drawn out scene. To me, this story is one of the pinnacle showcases of a beginning, middle, and end. It encapsulates both men’s struggles. Proulx succinctly describes people and actions with details like “indian burn” to a moment of strife and that’s all you need. Silence is a powerful component as is brutality and “Brokeback Mountain” explains so much without being overdrawn. In the acknowledgments of her collection Wyoming Stories, Proulx notes that short fiction is hard for her, yet looking at this story in particular it seems as though she’s a master of the form barely breaking a sweat.
  • “Cry, Cry, Cry” by Sherman Alexie – This story is hilarious with heart. The narrator reflects on his drug addicted cousin, watching the steady decline of a family member, and how he may have betrayed him. Alexie is great with brevity as well, providing snapshots as unique as “Shit, we got fake Bloods fake-fighting fake Crips. But they aren’t brave or crazy enough to shoot at one another with real guns. No, they mostly yell out car windows. Fuckers are drive-by cursing.” Mixed with the wit and wavering of a man not knowing what to do because he’s expected to stand by his family out of obligation even when he knows it’s bad for him and his soul. There’s a connection to the voice and to the cousin from the first line and the pacing is perfect speedy yet languorous in the way you move through this world.
  • “Hurt People” by Cote Smith (One Story Magazine) – This was one of the stories that stuck out to me when I subscribed to One Story and I still have it to this day. Surprisingly this was Cote’s first publication. To me this was a perfect story, a dark story, and a well-told story of two young boys left to their own devices. The title itself elicits not-so-good thoughts and from the first lines of seeing the dank living circumstances of these boys and what type of person their mother is has you clinging to the hope that they’ll be okay. Smith makes you care for these characters from the start which is immediately effective and masterful for an emerging writer. I’d urge you to look up this story and read it because it’s a testament of how you can find your voice.
  • “The Things They Carried” by Tim O’Brien – Whether you’re an English major or not you’ve more than likely read this story or the entire collection by award-winning writer Tim O’Brien. The reason for this is because of the tie-in. The description of each character by what they take with them in a time of battle, what represents them and what doesn’t. What keeps each character going and how it can weigh each man down in various ways of what they may lose, have lost, or are scared of losing. The clipped illustrations are the most powerful part of the anthology by O’Brien, being in the muck and crap of these men and knowing that some won’t make it. It’s a story that has so many brilliant pieces you can’t just choose one. To me, “The Things They Carried” is like a crash course in short story writing. Each line necessary, each one providing so much weight and promise. It’s freaking brilliant.
  • “Good Country People” by Flannery O’Connor – O’Connor is considered one of the best writers of short stories. And it’s understandable why. Her stories tend to be bleak, but real. Her characters are always alive and what I love most is her first lines, especially in this story of noting how a character had two methods of operation “forward and reverse.” The briefest of descriptions that gives a reader everything they need to know about a person straight off the bat. I’d encourage you to read all of O’Connor’s fiction because her stories rarely go where you expect them to, and while characters may surprise you it’s never out of context of the world she’s built.
  • “The Pura Principle” by Junot Diaz – It’s things like “The Four Horsefaces of the Apocalypse” that stick with you in a story like this one. Looking at the last months of his older brother’s life the narrator notes a relationship of his brother and a woman who is downright toxic while also doing a balancing act of the brothers relationship and the mother/son relationship as people disappoint, just downright hurt one another, and deal with forgiveness knowing that time is short. Diaz’s voice is distinct and confident and clear in all his prose and to me he just gets better and better.
  • “You Never Knew How the Waters Ran So Cruel So Deep” by Roxane Gay – I noted that Gay’s debut was one of my fave reads of last year. And one of the stories I pinpoint is this one, that is a list. With 3 columns titled Date, Item(s), and Price, Gay reflects on the lengths a man will go to find freedom and take his wife there and how much he loses. It starts off hopeful and as the reader sees the price and items the list keeper tracks it becomes more and more realistic of how hard this voyage for freedom will be and whether the relationships that seemed tight initial will hold by the time you reach the last row.
  • “Great Rock and Roll Pauses” by Jennifer Egan – Another visual story that breaks the mold of story telling is short and really relies on a brevity of text and the graphics of a PowerPoint presentation to fully convey the relationships in a family that is troubled but not in trouble. The PPT is created by the teenage daughter who is witnessing it all and providing a journalistic play-by-play of her autistic brother, overworked father, and doting mother as they navigate how to get through a cruel world and the narrator sees how much weighs on her parents, her father specifically as a medical professional.
  • “Speaking in Tongues” by ZZ Packer – “Brownies” is the Packer story often found on BEST lists but I think this one is a standout from her debut Drinking Coffee Elsewhere. It’s one of the longer stories in the collection and to me the most roundabout. In it a teen girl named Tia in search of her mother believing the grass is greener on the other side. Of course some stuff ensues and she gets entrusted with prostitutes and older men and her own sexuality (and ignorance of it) before realizing that she was better off in a world dictated for her than the one she thought she could navigate. This is a story with a journey that the character goes on that is rough at times and realistic and would also have some tsk at Tia’s actions yet understand them all the same. This piece feels utterly complete.
Above are just some of my suggestions. I have a few more story collections to read on my shelf (and many in my to-read queue) and even more lit mags to delve into so that I can find and learn from more to come. If you have any short fiction that you enjoy please share! I love to read as much as possible, if you couldn't already tell.

Friday, November 23, 2012

Jenn's Book Recommendations

Happy post-Turkey day food coma, relaxation or standing on a crazy line Black Friday!

It's hard to narrow down a few books that you enjoy and think others will also, but dagnabbit I accept the challenge.

At year's end I discuss books I enjoyed on my blog and steadily keep a tally on Goodreads. So the ones chosen are plucked from my pile over the years.

Lips Touch Three Times by Laini Taylor, illustrated by Jim Di Bartolo.

Anyone who knows me knows I sing Laini Taylor's praises every chance I get. Her National Book Award (NBA) nominated book was my introduction to her work. I had the pleasure of meeting Laini and Jim at the NBA reading and they are as pleasant as they are talented.

Laini's prose is lyrical, vivid, illustrative and takes you on a ride. Add in Jim's gorgeous detail for people and emotions of the scenes she wrote and you have a powerhouse in Lips Touch. Lips Touch contains three stories where kisses play a part, good or bad, and they are original and fantastical as well as emotional. I LOVED this book.

If you haven't read Laini's stuff or seen Jim's illos do so now! Laini's latest series, Daughter of Smoke and Bone, does not skimp on the darkness but has a wonderful lightness and beauty to it as well.


Where Things Come Back by John Corey Whaley.

John is another kind and talented author. His book got heaps of praise and deservedly so. Where Things Come Back is a contemporary novel that digs into the heart of a family breaking. There are two separate perspectives in this piece that end up tying together as the novel progresses. But the core story is with Cullen during the summer before senior year of high school when his brother disappears. You're with a family on the brink as they deal with hope and loss and a whole slew of emotions. Cullen deals with it by trying to block it out and imagine alternate scenarios. John delves into such emotion that you are chomping at the bit on every page. I purposely waited on the subway before my stop because I wanted to finish this.




Drinking Coffee Elsewhere by ZZ Packer. 

I'm a fan of anthologies and collections and multiple points of view in literature (if you couldn't already tell). So I wanted to add a collection I thoroughly enjoyed and ranges in terms of perspectives from young (Brownie troupe getting in all sorts of trouble) to older (a college student at odds with his dad as they try to get to the Million Man March).

Packer's debut was lauded all over the literary landscape and with good reason. It taps into so many things such as race and insecurity and family and passion that it's relatable on many levels no matter your age. There's a particularly poignant story about a young girl who goes out on her own and realizes she knows nothing about the world as she takes up with characters, who on the outside may be horrific, but end up helping her get back to a life she thought was bad.


Other recommendations I'll make are:

  • Room by Emma Donoghue: A heartbreaking tale of five-year-old Jack as he and his mother escape from being imprisoned. It's all told from the childlike POV of Jack so while you don't see the bad parts you know what is happening. It's a masterful novel to convey so much with so little.
  • Close Range: Wyoming Stories by Annie Proulx: I LOVE Annie Proulx and this is my favorite story collection that I have read, hands-down. Proulx says that short fiction is hard for her to write but she hits it out of the ball park in terms of visuals and people and situations. Brokeback Mountain is in this anthology and the succinct prose is captured in the film painting a painful love story crossing over a few decades.
  • The Hunger Games (series) by Suzanne Collins: By now everyone and their mom (including mine) has read The Hunger Games. And deservedly so. This is the YA book that got me back into the genre. Collins manages to make an, at first, unlikable and hard-edged character someone we root for consistently. Katniss has heart and wants a life of simplicity but that all goes to pot after the Quarter Quell. The writing is well paced and dynamic putting you into every moment and Collins has a way with chapter endings, each one leaving you wanting more. 
Those are just some books I'd recommend reading in general because they rock and especially to explore alternate writing styles.